Getting to Know Bassoonist Wouter Verschuren

This November’s Mozart and Beethoven Quintet concert brings us a great opportunity to invite four world-class performers to join us. We’ll be featuring them here over the next several weeks leading up to the concert so you have a chance to get to know them before hearing them perform!

If you don’t have your tickets yet, you can find them on our website:

Mozart & Beethoven Quintets

This week, we’d like to introduce you to historical bassoonist Wouter Verschuren.

 

Historical bassoonist Wouter Verschuren regularly performs throughout Europe and the U.S.A and is at home with repertoire ranging from the Renaissance to the Romantic. He is principal bassoonist of The Amsterdam Baroque Orchestra conducted by Ton Koopman, and regularly plays with other renowned period orchestras such as The Orchestra of the Age of EnlightenmentThe Orchestra of the 18th Century, La Petite Bande and The Academy of Ancient Music.

A graduate of the Royal Conservatoire in The Hague, Wouter regularly appears as a soloist, and plays in numerous international chamber music ensembles such as Caecilia-Concert, Concerto Palatino, Oltremontanol’Arpeggiata and many others. Specializing in performance and research of 16th and 17th century music and later repertoire, he makes regular appearances in Europe and the US with the harpsichordist and fortepianist Kathryn CokTheir world premier recording of unknown Sonatas by Nikolaus von Krufft was released in 2009 by Challenge Records. Recently, the CD The Elegant bassoon was released and was enthusiastically received by the international press. 

Besides his teaching positions at the Royal Conservatory, The Hague, and The Royal College of Music, London, Wouter regularly gives master classes in Europe, the USA and the Middle East and coaches for such festivals as the Amherst Early Music Festival, San Francisco Early Music Society (USA) and Tage der alte Musik in Hof (Germany). Wouter is also active as a researcher, currently pursuing a PhD at the Royal College of Music, with the primary aim to rediscover forgotten repertoire for dulcian and (historical) bassoon.

Wouter was kind enough to take some time share a bit more information about himself, his path to where he is today, and his thoughts on the Mozart and Beethoven pieces that make the centerpiece of this concert.

How did you end up specializing in early music instead of something else?  Was there a person or a particular piece that set you on this path?

I started on the recorder, so that led me in the direction of early music. Then I had the feeling the repertory of the recorder was too limited. I wanted to play music from the 16th, 17th and 19 centuries as well. And I loved bass instruments. This led me towards the historical bassoon.

What do you think is the best thing about your instrument?

You can play music from the 16th century and later on the period bassoon. Other wind instruments are more limited. E.g. The cornetto for the 16th and 17th century and the clarinet starts much later. I also love the sound on the bassoon. And the fact that the bassoon has different functions in different periods. Solo, virtuosic rep on dulcian. Bassoon continuo and part of the bass group in the baroque, and a solo tenor instrument in the classical orchestra.

What do you think is the most challenging thing about your instrument?

To sound flexible. Especially in basso continuo lines. We have to imitate the cello.

Have you played the Mozart or Beethoven quintets before?

Yes, many times. It is the probably the greatest repertoire on classical wind instruments.

What are you most looking forward to in these performances?

It is wonderful to play this fabulous music with good friends. A perfect combination.

What should people listen for?

The color of the various instruments which sometimes blend wonderfully well, better than modern instruments, and sometimes come out as singing soloists. The balance is also perfect with the fortepiano. A grand piano is often too loud. The natural horn creates beautiful colours with the use of the hand.

What do you think it is about these composers that still speaks to modern audiences so strongly?

Music of great composers is timeless. Hard to explain. It is like a great painting. You can discover every time new layers in the music.

Thank you for sharing your thoughts, Wouter. We can’t wait to have you with us!

Mozart & Beethoven Quintets